Rawaa Ammar

Growing up oblivious to the improvisation passion during her childhood to only discover it on Sep 2018 at ImproBrussels, Rawaa the pragmatic scientist met her counterpart Rawaa the spontaneous improviser, and the amazing journey began. She lives the character on stage, taps into a cascade of emotions and takes the story to another dimension. Coming from Beirut, Rawaa embodies the phoenician bird as every show ends it ignites the passion to run on stage again, and again.

On and off the stage, Rawaa is a researcher in heart and mind, loves to have quality time with friends, and chose to practice capoeira as it is an improvised sport.

Archives spectacles

In between the lines

The beginning is known, the end is written. In between, infinite possibilities.

The “In between the lines” is a narrative long-form that starts and ends with specific lines given by the audience. There is no predefined genre or colour to the stories. The audience and the performers discover it together. In this story-driven format the story unfolds in front of the (…)

How did we get there ?

Randomness unpacked, 88% guaranteed

A priest, a rabbi and an imam walk into a bar. Pretty random, right ? Or have they met before ? Were they friends in high school ? Is the rabbi vegan ? How many times has the imam watched Twilight ? Did the priest lose all his savings in the last cryptocurrency crash ? Most things in life just (…)

7/8

We are only what we mean to others

The inscriptions on a tombstone are only a summary of one’s life. The fraction of that person visible to all. Their true nature, on the other hand, is so often well hidden under the surface. ⅞ dives deeper into the complexity of people and their stories. In this improvised long-form, Falafel (…)

Pixels

We are bigger than the sum of our parts

Pixels are a small item of information, the elementary particles at the heart of all modern images. Taken individually, each pixel is just an invisible sample of an original or synthetic image. But if displayed together, pixels can provide an even more accurate representation of the original. (…)